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Dance
Beast without beauty
Free event
di:
attori:
Carlo Massari, Emanuele Rosa, Giuseppina Randi
With a firm, cold, icy, merciless look at a society that repeats over time the same mistakes incapable of learning, unable to change its trajectories. An irreverent, cynical study, sometimes macabre, ...
Name: C&C
website: http://www.ceccompany.org
Email: ceccompany@yahoo.com
Address: Via Poggio 1 - 40064 Ozzano dell'Emilia (BO)
Carlo Massari is a performer, choreographer, and transdisciplinary creator active in the contemporary Italian and international scene. His eclectic educational and professional path is characterized by experiences that alternate between prose and musical theater, eventually leading to dance and physical theater. Among his teachers are Malou Airaudo, Michela Lucenti, Sonia Schoonejans, Theatre de l’Ange Fou, ATER Balletto, Lucio Dalla, Csaba Antal, Walter Le Moli, Claudio Longhi, and Pietro Luigi Floridia.Over the years, he has collaborated as a performer with: Biennale di Venezia, Barbara Nativi, Marco Baliani, Teatro dell’Argine, TeatroDue, Cie.Balletto Civile, Cie.Abbondanza-Bertoni, Cie.della Rancia, and Cie.Petri Dish. In 2011, he co-founded C&C Company, a research and production company in the field of dance-theater (recognized by MIC), where he serves as Artistic Director and is responsible for its award-winning creations. In 2020, he received the CollaborActionXL recognition from the AnticorpiXL Network and became an Associate Artist of the Oriente Occidente Festival. He has worked as a director in the lyrical field for the Klaipeda State Music Theater and as a choreographer for the Teatro dell'Opera di Roma, Teatro Regio di Parma, and Landestheater Salzburg with directors Damiano Michieletto, Silvia Paoli, and Andrea Bernard.C&C COMPANYFounded in 2011, the company demonstrates a strong vocation for hybridization and transversality in the use of dance in relation to other contemporary performative codes. Among its numerous productions, which boast recognitions and international tours, are: *Maria Addolorata* (HiverOclytes - Avignon, International Choreographic Competition - Hannover, Tanzpreize - Bern), *Tristissimo* (Premio Roma Danza, Les Lendemains qui Dansent - Arques), *Beast without Beauty* (ActFestival - Bilbao), *Les Miserables* (NID Platform), *Right*, and *Strangers in the Night*.
Title: Beast without beauty
Of: C&C
Direction: Carlo Massari
Dramaturgy: Carlo Massari
Actors: Carlo Massari, Emanuele Rosa, Giuseppina Randi
Genre: Dance
credits: With a firm, cold, icy, merciless look at a society that repeats over time the same mistakes incapable of learning, unable to change its trajectories. An irreverent, cynical study, sometimes macabre, sometimes comical, on the archetypes of human misery, on the despicable cruelty - even in interpersonal relationships - that leads to wars, massacres and genocide. A dance theater show with strong images with themes that touch the deep, images that overturn certainties and upset emotions. A story about the fragility of the time that surrounds us, subject to the risk of new totalitarianism, a comedy of the absurd with a post- existentialist flavor like Beckett’s theatre but with an authentic black irony that acts as a counterpoint to the fascination of the absurd, to become cynical and opportunistic in the face of death to the point of contradicting and betraying their playmates.
With a firm, cold, icy, merciless look at a society that repeats over time the same mistakes incapable of learning, unable to change its trajectories. An irreverent, cynical study, sometimes macabre, sometimes comical, on the archetypes of human misery, on the despicable cruelty - even in interpersonal relationships - that leads to wars, massacres and genocide. A dance theater show with strong images with themes that touch the deep, images that overturn certainties and upset emotions. A story about the fragility of the time that surrounds us, subject to the risk of new totalitarianism, a comedy of the absurd with a post- existentialist flavor like Beckett’s theatre but with an authentic black irony that acts as a counterpoint to the fascination of the absurd, to become cynical and opportunistic in the face of death to the point of contradicting and betraying their playmates.
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