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Children’s theater - Dance - Performance
Cinderella
Free event
di:
danzatori:
Gianluca Gabriele, Amalia Ruocco, Enrica Zampetti
in:
Wonderland Festival
Dalla cenere alla corte, Cenerentola è un'eroina dai mille volti e artefice del proprio destino. Esistono più di trecento varianti di questa fiaba ed è una delle più antiche al mondo. Nella loro r...
Name: Zaches Teatro
website: http://www.zachesteatro.com
Email: infozaches@gmail.com
Address: via dellArrigo 14 - 50018 Scandicci (Fi)
In 2023 Zaches Teatro won the HYSTRIO 2023 NATIONAL AWARD (Italy) for experimentation and contamination of artistic languages.The Company was born in Florence in 2007. It works on the combination of various artistic languages: contemporary dance, the expressive means of puppet theater, the use of the mask, the voice sperimentation, the relationship between plastic movements and live music /electronic sound. In 2008, the production Faustus! Faustus! , inspired by the myth of the Faust and Golem, wins the awards for Best Innovation Show and Best Original Music at the Int. Puppet Theater Festival in Ekaterininburg 2010 (Russia); Special Prize for the original expression and fantasy at the Int. Festival of Children’s Theaters 2011 in Subotica (Serbia). The Charm of Idiocy # 1_Trilogy of vision, work inspired by the black paintings of Goya, is selected among the finalists of the Rome Equilibrio Award 2009. It wins the prize for Best Performance of the TeatarFest 2010 in Sarajevo (Bosnia); it is a finalist at the AICC 2010 (Aarhus Int. Choreography Competition) in Denmark, and it is included in the EXPLO ’2009/2010 selection of the Young Author Dance. Mal Bianco # 2_Trilogy of vision, inspired by the Manga by the Japanese master Hokusai, wins the Padua Dance Theater Perspective 2010 production award and it is selected among the finalists of the Rome 2010 Equilibrio Award, receiving the Quality Label of the European e-MIX circuit network. Between December 2011 and January 2012, Zaches Teatro collaborates in the creation of the show "Is there anybody out there?"of the Sayeh Theater company in Tehran (Iran). In September 2013 co-produces with Teatr Kukol' of Ekaterinburg (Russia) the children's theater show Pinocchio, that wins the Best Set Design award at the VII Int. Theatre Festival "Great Petrushka" in Ekaterinburg, and the award for best scenography, costumes and masks and the prize for the best actress at the Russian national theatrical competition "Arlekin" in Omsk (Russia). Pinocchio#1_Fairy Tales Trilogy, a 2014 production, wins the Best actress award and Best stage visualization at the 22nd Int. Festival of Children’s Theater of Subotica (Serbia), and it is in the In - Box 2015 selection. In 2017 Sandokan, a show made with a group of migrants / actors residing in the Florentine territory. In 2017 Mal Bianco extracts take part in the making of the documentary of Giovanni Troilo Van Gogh under the bombs by Sky Art.Since 2016 it approaches the production of Opera for children, taking care of the staging and the direction of Puss in Boots for the Teatro Regio di Parma; Carmencita and L'Elisir d'amore for AsLiCoTeatro Sociale di Como. In 2018 the Company produces LittleRed Riding Hood#2_Fairy Tales Trilogy, finalist for the In-Box Verde 2019 award (Italy).In 2020, with the pandemic, in order to continue working despite the closed theaters, the Company produces the site-specific Little Red Riding Hood in the Woods for the summer, and Sibylla Tales a digital show, designed for live streaming, that wins the call of Spazio Rossellini in Rome and ATCL Live Streaming Theater award production, to then debut in 2021 also as a live show that won the National Youth Theatre Award “EMANUELE LUZZATI” 2024. With CINDERELLA in 2021 the Fairy Tale Trilogy ends. The show wins the Toscana Terra Accogliente production call, the Eolo Awards 2022 as "Best newer" in children's theater and the Best Actor Awards at Int. Theatre Festival VALISE - Lomza (PL),Grand Prix for Best Show, Best Direction, Best Actors at 29th Int. Children's Theatre Festival 2022 of Subotica (Serbia), Best Show by Children’s Jury and Best Lighting Desig by Professional Jury at the 56th PIF - Int. Puppet Theatre Festival 2023, Zagreb (Croatia), Best scenic design, Best costume design, Best puppets, Best concept design at the 3° Int. In-Put Theatre Festival 2024, Karlovac (Croatia), Best Actors at the Int. Puppet Theatre Festival “Golden Sparkle”, Kragujevac 2024 (Serbia).
Title: Cinderella
Of: Zaches Teatro
Choreography: Luana Gramegna
Actors: Gianluca Gabriele, Amalia Ruocco, Enrica Zampetti
Genre: Children’s theater - Dance - Performance
credits: From the ashes to the court, Cinderella is a heroine with a thousand faces, creator of her destiny.
There are more than three hundred variants of this fairy tale and it is one of the most ancient in the world.
In our research we have decided to focus on the older oral versions and on two written versions: that of the Brothers Grimm and that of La Gatta Basile's Cinderella.
But more than a research story of prince charming, Cinderella by Zaches Teatro is a fairy tale initiatory in which the problematic road to maturity passes through the detachment from the past.
Using Object theatre, dance, expressive movement, original music compositions, and puppetry, the bodies of the performers give life to characters from history in a whirlwind show full of inventions, animated by strange presences between the funny and the grotesque, with a strong visual impact. The manipulation becomes dance, furthermore, the dance evokes the ancient presence, the mysterious ritual under the ashes of the fairy tale.
more credits: HYSTRIO 2023 National Prize (Italy)
to ZACHES TEATRO
for experimentation and contamination of artistic languages
Best scenic design, Best costume design,
Best puppets, Best concept design
Int. 3° In-Put Theatre Festival 2024
Karlovac (Croatia)
Best Actors
Int. Puppet Theatre Festival
“Golden Sparkle” Kragujevac 2024 (Serbia)
Best Show by Children’s Jury
Best Lighting Design by Professional Jury
56th PIF - Int. Puppet Theatre Festival 2023
Zagreb (Croatia)
Best National Newer
EOLO AWARDS 2022 (Italy)
Best Actors
35th Int. Theatre Festival
VALISE 2022 - Lomza (Poland)
Grand Prix for Best Show
Best Direction
Best Actors
29th Int. Children's Theatre Festival 2022
Subotica (Serbia)
direction, dramaturgy, choreography Luana Gramegna
sets, lights, costumes, and puppets Francesco Givone
original music and soundscape Stefano Ciardi
dramaturgical collaboration Daria Menchetti
collaboration for sets, costumes, and puppets Alessia Castellano
costume realization Rachele Ceccotti
project manager Enrica Zampetti
Winning project of Bando Toscana Terra Accogliente 2020
edited by RAT (Residenze Artistiche Toscana)
in collaboration with Teatro Metastasio of Prato, Toscana Spettacolo Onlus Fondation,
Dance Production Center by Virgilio Sieni
creative residences (RAT) at
Officina della Cultura, Kanterstrasse, Murmuris, Kinkaleri and LST Teatro
Dalla cenere alla corte, Cenerentola è un'eroina dai mille volti e artefice del proprio destino. Esistono più di trecento varianti di questa fiaba ed è una delle più antiche al mondo.
Nella loro ricerca, Zaches Teatro, ha deciso di concentrarsi sulle versioni orali più antiche e su due versioni scritte: quella dei fratelli Grimm e quella de La Gatta Cenerentola di Basile. La scena, realistica e simbolica
insieme, è occupata da un grande focolare pieno di fumo e fuliggine: uno spazio scarno e cinerino, pieno di carbone, abitato da presenze magiche, le Cenerine, attraverso cui viene narrata la storia di Cenerentola.
Ma più che una storia sulla ricerca del principe azzurro, la Cenerentola di Zaches Teatro è una fiaba iniziatica in cui la difficile strada per la maturità passa attraverso il distacco dal passato. Reclusa nel suo mondo interiore, Cenerentola preferisce muoversi sotto la cenere in solitudine, quasi invisibile, in mezzo alla fuliggine di una vita apparentemente spenta, accettando con pazienza ogni punizione inflitta dalla matrigna e
dalle sorellastre. Ma dentro di lei arde la brace nascosta del desiderio di un’ esistenza completamente diversa. Cenerentola poco a poco acquista sicurezza e coraggio, impara ad affrontare le avversità e non ha più paura di contrastare le sue aguzzine, che via via si trovano sempre più disarmate e inermi. Sarà la forza interiore di Cenerentola a riscattarla.
Utilizzando il teatro d’oggetto, la danza, il movimento espressivo, la musica originale e i linguaggi del teatro di figura, i corpi degli/delle interpreti danno vita ai personaggi della storia in uno spettacolo vorticoso e pieno d'invenzioni, animato di strane presenze tra il buffo e il grottesco, dal forte impatto visivo. La manipolazione si fa danza e la danza rievoca l’antica presenza del rito iniziatico sotto le ceneri della fiaba.
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