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Dance - Performance - Figure

Lost in Time

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Name: Zaches Teatro

website: http://www.zachesteatro.com

Email: infozaches@gmail.com

Address: via dellArrigo 14 - 50018 Scandicci (Fi)

In 2023 Zaches Teatro won the HYSTRIO 2023 NATIONAL AWARD (Italy) for experimentation and contamination of artistic languages.The Company was born in Florence in 2007. It works on the combination of various artistic languages: contemporary dance, the expressive means of puppet theater, the use of the mask, the voice sperimentation, the relationship between plastic movements and live music /electronic sound. In 2008, the production Faustus! Faustus! , inspired by the myth of the Faust and Golem, wins the awards for Best Innovation Show and Best Original Music at the Int. Puppet Theater Festival in Ekaterininburg 2010 (Russia); Special Prize for the original expression and fantasy at the Int. Festival of Children’s Theaters 2011 in Subotica (Serbia). The Charm of Idiocy # 1_Trilogy of vision, work inspired by the black paintings of Goya, is selected among the finalists of the Rome Equilibrio Award 2009. It wins the prize for Best Performance of the TeatarFest 2010 in Sarajevo (Bosnia); it is a finalist at the AICC 2010 (Aarhus Int. Choreography Competition) in Denmark, and it is included in the EXPLO ’2009/2010 selection of the Young Author Dance. Mal Bianco # 2_Trilogy of vision, inspired by the Manga by the Japanese master Hokusai, wins the Padua Dance Theater Perspective 2010 production award and it is selected among the finalists of the Rome 2010 Equilibrio Award, receiving the Quality Label of the European e-MIX circuit network. Between December 2011 and January 2012, Zaches Teatro collaborates in the creation of the show "Is there anybody out there?"of the Sayeh Theater company in Tehran (Iran). In September 2013 co-produces with Teatr Kukol' of Ekaterinburg (Russia) the children's theater show Pinocchio, that wins the Best Set Design award at the VII Int. Theatre Festival "Great Petrushka" in Ekaterinburg, and the award for best scenography, costumes and masks and the prize for the best actress at the Russian national theatrical competition "Arlekin" in Omsk (Russia). Pinocchio#1_Fairy Tales Trilogy, a 2014 production, wins the Best actress award and Best stage visualization at the 22nd Int. Festival of Children’s Theater of Subotica (Serbia), and it is in the In - Box 2015 selection. In 2017 Sandokan, a show made with a group of migrants / actors residing in the Florentine territory. In 2017 Mal Bianco extracts take part in the making of the documentary of Giovanni Troilo Van Gogh under the bombs by Sky Art.Since 2016 it approaches the production of Opera for children, taking care of the staging and the direction of Puss in Boots for the Teatro Regio di Parma; Carmencita and L'Elisir d'amore for AsLiCoTeatro Sociale di Como. In 2018 the Company produces LittleRed Riding Hood#2_Fairy Tales Trilogy, finalist for the In-Box Verde 2019 award (Italy).In 2020, with the pandemic, in order to continue working despite the closed theaters, the Company produces the site-specific Little Red Riding Hood in the Woods for the summer, and Sibylla Tales a digital show, designed for live streaming, that wins the call of Spazio Rossellini in Rome and ATCL Live Streaming Theater award production, to then debut in 2021 also as a live show that won the National Youth Theatre Award “EMANUELE LUZZATI” 2024. With CINDERELLA in 2021 the Fairy Tale Trilogy ends. The show wins the Toscana Terra Accogliente production call, the Eolo Awards 2022 as "Best newer" in children's theater and the Best Actor Awards at Int. Theatre Festival VALISE - Lomza (PL),Grand Prix for Best Show, Best Direction, Best Actors at 29th Int. Children's Theatre Festival 2022 of Subotica (Serbia), Best Show by Children’s Jury and Best Lighting Desig by Professional Jury at the 56th PIF - Int. Puppet Theatre Festival 2023, Zagreb (Croatia), Best scenic design, Best costume design, Best puppets, Best concept design at the 3° Int. In-Put Theatre Festival 2024, Karlovac (Croatia), Best Actors at the Int. Puppet Theatre Festival “Golden Sparkle”, Kragujevac 2024 (Serbia).

Title: Lost in Time

Of: Zaches Teatro

Direction: Luana Gramegna

Dramaturgy: Luana Gramegna

Actors: Gianluca Gabriele, Daria Menichetti

Genre: Dance - Performance - Figure

credits: LOST IN TIME will be the final chapter of the currently unfinished Vision Trilogy, a series of three shows inspired by the paintings of three different artists, investigating the act of seeing as an articulated form of perception.
The first two shows, "The Charm of Idiocy" and "Mal Bianco" (white pain), were presented both individually and as a diptych and received national and international awards.
The Trilogy of Vision is a theatrical journey into the perception of painting through the languages of dance, puppet theatre, mask and live electronics: if "The Charm of Idiocy" explores Goya's black paintings, "Mal Bianco" was inspired by Hokusai's manga, while "Lost in Time" looks at the work of Francis Bacon.
In turn, the sets colours are based on black, white and red.
"Lost in Time" focuses on Francis Bacon's triptych entitled "Triptych, May-June 1973", inspired by the suicide of George Dyer, Bacon's partner, who took his own life in the bathroom of the hotel room where he was staying with the painter on the eve of the exhibition's opening at the Grand Palais in Paris in 1971. "I like to paint triptychs because it feels like making a film. I see the picture in series", Bacon explained.
Bacon's language, so theatrical and cinematographic at the same time, pushed us towards a dramaturgical research that followed a construction close to filmic editing.
Two parallel lines intersect: that of the physical space of the event, where time seems to have stopped at the instant before death, and the oneiric line that develops the psychological and intimate complexity of the character.

more credits: direction, dramaturgy, choreography Luana Gramegna
sets, lights, costumes Francesco Givone
Original music and live electronics Dylan Lorimer
Artistic collaboration and project manager
Enrica Zampetti
Collaboration for sets Atelier di scenografia Zaches

Lost in Time guarda al trittico di Francis Bacon intitolato Triptych, maggio-giungo 1973 ispirato al suicidio di George Dyer, compagno di Bacon che si è tolto la vita nel bagno di una camera d’albergo dove alloggiava con il pittore alla vigilia dell'inaugurazione della mostra al Grand Palais di Parigi nel 1971.
“I trittici sono la cosa che mi piace di più dipingere perché mi sembra di fare un film. Io vedo l’immagine in serie”, dichiarava Bacon.
Il linguaggio di Bacon così teatrale e cinematografico insieme ci ha spinto verso una ricerca drammaturgica che seguisse una costruzione vicina al montaggio filmico. Due linee parallele si intersecano: quella dello spazio fisico dell’accadimento, dove il tempo sembra essersi fermato all’istante prima della morte, e quella onirica che sviluppa la complessità psicologica e intima del personaggio. Il tema della morte, e ancor più del suicidio, sono ormai temi tabù all’interno della nostra società, avendo perso ormai quei punti di riferimento rituali e culturali che ci permettevano di esorcizzare la morte e, nell’esorcizzarla, accoglierla all’interno dell’esistenza, come qualcosa di giusto e sensato.
Indagare questo tema è indagare anche la perdita di punti di riferimento, in assenza dei quali la morte diventa tabù, orrore, disperazione, solitudine.
Come tutti i lavori della compagnia anche Lost in time è destinato ad un pubblico molto trasversale per età, formazione ed contesto sociale di riferimento.

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